Saturday, 28 February 2015

EVALUATION TASK 2 - How does your media product represent social groups?

The mise-en-scene used in our opening thriller sequence are used represent our female main character. 
Her character positioning, of her below the ground and being able to hear a male above her suggests that she is subservient to a male character, which in a way is adhering to the stereotype of women. 
There are no other characters in the sequence, which suggests to an audience that she is isolated and helpless, which also is adhering to the stereotype of women, that they cannot help themselves; they need to have help from a male. 
There are no props used within the coffin, but the coffin itself that she is contained in, showing her helplessness. 

She is in a white wedding dress; this could suggest that she is pure and again not strong enough to fight for her life. However, the


contrast between her age and the wedding dress gives sympathy to the audience for the character as she has been put in this position. The fact that she is wearing makeup and has made an effort with her appearing makes the audience think that she is not going to be strong as she is probably vein and possibly selfish and would adhere to the stereotype of woman who make an effort with their appearance rely on others to help them. 
Her facial expression and speech pretty much tells the narrative as the space is so restricted and there is no interaction with any other characters apart from the man who is burying her. She wakes up naïve to what has happened and then begins to panic, this is adhering to the stereotype of woman panicking and thinking initially about how to save herself logically. Her facial expression changes when she hears a voice from outside the coffin, saying it’s going to help her out, her eyes become hopeful and relieved, adhering to the stereotype of females being naïve. Her facial expression shows that she is shocked that he is piling dirt on top of her coffin, that she had that trust with someone she didn’t know, just because they were the only one there to save her, she thought he was going to which is again naïve to think that in this unlikely situation, the coincidence that someone would be able to find and help her is slim. She then reverts back to panicking. Her facial expression switches from her screaming to just panic in her eyes but she still lays there silent, but you can see by her expression that she knows she is going to have to not panic to be able to get out of the coffin alive, this is stereotypically thinking like a man so subverting to her stereotype, logically and rationally and not just screaming to try and get attention to get someone else to help her out of her situation. The lighting in the box is minimal, which I think again enhances the image of her being helpless and isolated but it also helps to enhance her facial expressions in some of the shots to show her emotional state. The repetition of the mise-en-scene elements suggesting she is isolated, makes the audience think about if she is going to adhere to the stereotype of females not coping well in isolation and she will just suffer, or if she will adhere to the stereotype of females not being able to figure their way out of situations by themselves and needing help constantly from males.

The editing we have used, help portray our character in our thriller. The pace of the shots is very slow at the beginning to show her thinking and her calm thought as she is unaware of what is going on. As she begins to realize where she is and that she is the only one who can help herself, the pace increases to reflect her mental state that she is panicking to how she is going to get help. This is adhering to the stereotype of women that they need help to survive. The pace towards the end decreases which subverts her need for help as she is going to think logically about how to help herself and save her life.

The camera angles used help to portray the emotional state of the female character in the sequence. The hand help shot of the opening camera angle just introduces the character, but the fact that it is hand help gives the impression that she is being watched and that she is a subject to viewing of sort. The low angle shot shows that she is at an end of the box with nowhere to go. As she begins to look around the box, the camera angle is at a high angle to her which gives the audience a chance to see her face as she is facing into the light, the fact that she tries to search around the box where the light is could suggest that she is looking for an easy way out, to search the area which is known, rather that to explore the darker corners. The close up shots of her hands enhances the fact that she is calling for help and rather that using her hands to help herself she is using them to call for others to help her which is adhering to the stereotype of her asking people to help her out of unfortunate situations. The long shot of the whole coffin allows the audience to notice where she is positioned, isolated and being able to realize with her that she is going to have to work by herself to get out of there. When the shot goes to a close up and she reaches her ear up to the top of the coffin, it highlights that
she is subservient to whoever has put her there, as she is below them.


The sound of the characters breath at the beginning of the sequence shows that it is so silent in there, that she is all alone and there isn’t even ambient sound, helps to establish her setting. The only sounds in the coffin are coming from her, which exaggerates even her breaths, which is a good indicator of her emotional state due to her increase in breath when she comes to the realization of her fate. The sound of her screaming combined with the loud banging on the top of the coffin shows her desperation for help in contrast to the heavy breathing at the end when she feels defeated.


To conclude, I think that our thriller introduction sequence, we didn't empower the female character. We strongly adhered to the stereotypes and conventions of young female characters in the media. However towards the end of the plot for the rest of the film, we have decided to subvert the main female character to empower the female and to subvert the audiences prior beliefs.

Thursday, 26 February 2015

Editing our Thriller

When editing our thriller we used Adobe Premiere Pro.



Playback and review

We reviewed all our footage and added all of them to the ‘rushes’. We then reviewed all the rushes so we could see which ones were unusable, partly usable and ones which we were definitely going to use. We didn’t add the shots which were useless to the ‘bin’ but the ones which were only partly useful, we cut them into section which we thought we could possibly use later on in case we couldn’t find a suitable shot to match certain action etc. We made We selected the ruses from the raw footage and put them into a ‘bin’ so we could easily select the clips and pout them onto the timeline. After we had placed the clips onto the timeline, we sorted them into section of similar camera angles, or a specific action that we would only use at one part of the sequence. It was important to rename the clips so when  it came to finding the certain angle or movement we wanted after a sequence, it was easier to select from just a few rather than looking through all the footage and trying to find the specific one we wanted. 

Editing the Clips

We cropped the shots from when we called action or cut and also some where we talking to the actress, or where she generally fell out of character. There were a few clips where there were some technical issues so we cropped them out before putting them on the timeline. By using the timeline it helped us with rearranging different compositions of which shots in which sequence worked best and we could asses then make decisions. Once we had tidied the shots and its composition we cut the clips to make them a lot shorter in the fast pace section and used a wider variety of different shots to adhere to the conventions of the thriller of there being tension; which we showed with the longer shots in contrast to the pace of the ones that were shorter.

Sequence and order of the shots

We used the timeline to help us to help us with the sequence and order of the editing. By putting the clips on different layers, we could closely edit the continuity so that the actions matched in the different shots when switching shot.  We could zoom in so that we could measure the exact moment when we needed to switch. We had some issues with providing continuity when matching action on some of the shots as in the shots where we wanted to piece them together, the action was different in the other clip, so we had to figure out what footage we could use , we used the footage which we didn’t think that majorly useful and put that in to split the two shots up. 

Transitions and titles

We added titles at the beginning of the sequence, where there is no picture. We originally had them all layered over the picture but we found that the whole sequence was too short. We wanted the titles to come up while the shots were at a slow pace then as the pace began to increase, we would stop with the titles. However, we couldn’t do this as there were too many, so by having the black at the begging , it helped to break up that time before the fast pace section began. By having this, it actually benefitted our sequence, we could layer a soundtrack over the beginning where it is black along with our sound effects which we create of the dirt being shovelled on top of the coffin she was buried in. originally we did not want to have  soundtrack to enhance the fact that she is isolated and only has the comfort of her own voice, but by having the sound at the beginning it set the scene and tone of the sequence, so by having this complication it actually benefitted the whole sequence. We stuck to the fact that we didn’t want any sound over the action in the picture so we faded the sound out as the picture came onto the screen. At the end of the sequence, we had the picture out and immediately it came up with the title of the film ‘beneath’, which the sound that was at the start of the sequence fade back in when the camera was zooming out. I think this was effective as it created the mood which would be set for the rest of the film. We had a cross dissolve for he titles appearing on the picture as it slowed down and increased the slow pace of the beginning of the sequence.

During the Filming

When we were on set to film our thriller sequence we had a chance to re discuss our ideas with the set and actors there. I gave us the opportunity to refine our sequence with the actress acting out the ideas to give a visual representation of what would work and what wouldn't.
Our final sequence plan was that the girl would wake up confused, begin to panic but then hear someone outside the box promising to help her out, she's hopeful that she is going to be released but then she hears dirt falling from above her onto the box, she begins to panic again then comes to realisation that she is being buried alive. We chose to have it in this order as it builds up tension to the point where we feel hope with the character then it gives the opportunity for a rapid change in pace.
We also decided on a few other camera angles and movements while on set which we thought would be interesting to use when it came to editing. we decided to use a skateboard to tack along the box. A crane to give an aerial view of the box so we can see how confined she is.



To make sure we had the sound effect of dirt dropping on the box, we wanted it to sound like it would from the characters point of view, so we help the microphone to the ceiling of the box from inside and dropped dirt onto the top of it.